Maybe a few more subtle tweaks and then leave it alone for a few days, to look upon with fresh eyes. There is only so much that can be done in one sitting and at 1 metre x 1 metre, only so many hours in the day between children and such to work. At this first stage of the painting I find it really important to get the whole image down, to blend colours and shift the paint. The second layer will best suit any refining or glazing elements.
Every moment is gone within a blink, most of our thinking resides in our memories. Belinda's current practice is exploring light, reflection and how that links into our memory.
Monday, October 27, 2014
The Ocean Looks Longingly to the Sky
First layer in oils. Trying to get an idea of when to push on painting and when to stop. There seems to be a real art in its self of knowing just the right balance. Some paintings I feel, look beautiful with pencil lines and canvas poking through, a homage to the very process and act of making. While others require a more finessed approach. Once the initial drawing is correct it's a matter of feverish laying down of the palette then the canvas.
Thursday, October 23, 2014
To be longing for belonging
A new series, To Be Longing For Belonging. 3D sculptural oil painting, tieing into the theme of previous cloud painting.
Tuesday, October 7, 2014
To be Longing and Belonging
Oil on Canvas. The Clouds are raining, longing to return to the sea, belonging together in unison. A cyclic love affair worthy of a symphony. Colossal Wellington clouds are the stuff stories and legend are made of.
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